Use the 1 frame as the ONLY frame. Do NOT change or redraw the building, its walls, the number or...

Use the 1 frame as the ONLY frame. Do NOT change or redraw the building, its walls, the number or position of windows, trees, road or camera angle. Keep the original architecture and perspective exactly the same. Only animate inside this existing shot. Create a very slow, cinematic camera move: a gentle dolly-in with a tiny pan so that by the end of the shot we are slightly closer to the second-floor side windows on the right wing of the building (the warm lit windows above the bushes on the right side). The move must feel like a real camera on tracks over several seconds, NOT a fast zoom and NOT a jump cut. No new walls or new windows should appear. Add subtle environmental animation: - the warm light at the entrance and on the second-floor windows softly flickers from time to time, like an old indoor lamp, very gentle and irregular, not horror and not strobe; - street lamps in the distance may also breathe slightly, a tiny change in intensity; - the bare tree branches slowly sway in the winter wind, with natural, smooth motion; - snow falls from the sky in front of the camera in different flake sizes; near the ground some snow is lifted sideways by the wind, like a light blizzard; - faint snow drift along the road, moving in the same wind direction. Inside the second-floor windows, keep the same warm interior glow. Curtains may move a little, as if from a soft indoor draft, but stay behind the existing window frames. Overall mood: quiet winter evening, dreamy and cinematic. Camera movement is slow and continuous, no sudden acceleration, no aggressive zoom. The final frame should still look like an enlarged crop of the original @image1 shot, with the same building and window layout.