Ultra-realistic live-action comedy-action scene inside a dirty, abandoned public restroom in Jaka...

Ultra-realistic live-action comedy-action scene inside a dirty, abandoned public restroom in Jakarta. Cracked ceramic tiles, peeling paint, mold stains, puddles reflecting flickering fluorescent lights. Grounded physical realism, natural imperfections, no stylization, no CGI look. START FRAME: An adult man exactly matching reference photo 1 stands centered in the restroom, confused and slightly annoyed. Same face, long black hair, dark suit, white shirt, rings, wristwatch. Clearly masculine proportions. CAMERA: Single continuous take. Smooth orbit camera rotating around the character at chest-to-waist height. No cuts, no fades, no transitions. TRANSFORMATION (REAL-TIME PHYSICAL MORPH, NOT A TRANSITION): While the camera orbits, the same body visibly transforms on screen: shoulders shrink inward as the blazer bunches, waist pulls in, hips expand, chest grows gradually with fabric tension, arms slim, hands change shape with longer fingers and narrower wrists. The character reacts mid-morph, staring at his hands in disbelief. Facial structure reshapes step-by-step—jaw softens, cheekbones rise, eyes widen—expression shifts from confusion to panic to awkward acceptance. Hair remains continuous and natural. NO crossfade. NO dissolve. NO identity swap. Clothing stretches, slides, and resettles realistically. Lighting and shadows dynamically react to the changing body volume. END FRAME: The morph completes into the woman exactly matching reference photo 2. Same position, same shot. She pauses, looks down at her body, then looks up—classic comedy-action beat. Ultra-photorealistic, visible anatomical morphing, cinematic lighting, perfectly integrated textures.