Kling Al prompt: Ultra realistic cinematic Formula 1 ive broadcast sequence inside a Ferrari F1 g...

Kling Al prompt: Ultra realistic cinematic Formula 1 ive broadcast sequence inside a Ferrari F1 garage during qualifying session. Use the uploaded reference image as the exact identity reference Preserve facial structure, eve shape, lips, nose, skin texture, hairstyle and proportions perfectly. Do not beautifv or stylize the face. Keep natural skin texture, realistic pores, slight under-eve texture, authentic lighting ana believable facial movement. No Al influencer look, no plastic skin, no glamour beauty filter. 7 Scene starts with a medium broadcast shot of the woman calmly sitting inside the Ferrari garage guest area wearing authentic red Ferrari race engineer headphones with microphone. She watches the race screens off-camera with a focused and elegant expression while Ferrari crew members work in the blurred backqround. Official Formula 1 timing tower visible on the left Maintain photorealism at all times. No CGI, no anime, no fake HDR, no doll face, no symmetry correction, na over smoothing, no editorial fashion posing, no unrealistic camera blur. nc artificial skin texture, no exaggerated makeup. Neqative prompt: Al face, influencer aesthetic. cartoon. CGI beauty filter, glamour makeup, plastic skin, fake Ferrari loqos, over sharpened details, cinematic movie look unrealistic lighting, uncannv vallev exaggerated facial symmetrv, fashion editorial, studic photoshoot, fake motion blur, oversaturated reds distorted headphones, unrealistic eves, artificial skin smoothing, animated movement. CONTINUATION: Lighting should come naturally from garage screens, paddock LEDs and monitor reflections. Ferrari red tones should look authentic and balanced not oversaturated. Add slight sports broadcast grain, motion realism, realistic compression and documentarv camera mperfections to make it look like an actual Sky Sports F1live capture 3 The woman wears a black outfit and Ferrari headset exactlv like a real quest in the Ferrari paddock. Backqround engineers move naturallv while looking at race data screens. Realistic Formula 1 atmosphere, not cinematic movie stvle. The footage must feel accidental and candid. ike a real TV director randomly showing a Ferrari guest during live qualifying. side. realistic "LIVE" broadcast watermark in the top corner, authentic sports TV graphics Camera slowly cuts between multiple realistic broadcast angles: - medium front angle - close-up on eyes with natural blinking and subtle eve movement - cinematic side profile with shallow