Art style: 3D Pixar. A medium shot of Prince Kael standing under a dark stone archway, his crimson eyes glowing faintly. In the background, Elena stands in the courtyard as glowing blue magic particles begin to swirl around her. Red roses are being blown across the wet stone floor by a sudden gust of wind. The lighting is dramatic, with the blue magic glow contrasting against the pitch-black night. Deep blacks and vibrant blues. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image entirely in "3D Pixar" style. Match the lighting grammar, material response, colour science, level of realism / stylisation, line weight, and shading model typical of "3D Pixar". Keep the subject, composition, camera angle, lighting direction, and colour palette from the description above — but EVERY surface, skin, fabric, material, and environmental element must be rendered in the "3D Pixar" idiom, not in any other medium. Character appearance reference (MUST match exactly): - Elena: A young woman in her late teens with ethereal beauty, featuring long cascading silver hair drenched by rain and large expressive violet eyes brimming with tears. She wears an elegant but tattered black Victorian-style mourning dress with intricate lace. Her skin is porcelain pale, contrasting with the dark, moody atmosphere. The style is high-detail Korean dark fantasy manhwa, with sharp, clean lines and vibrant eye highlights. She stands in a rain-slicked courtyard of a gothic mansion, looking heartbroken yet determined. - Prince Kael: A strikingly handsome young man in his early 20s with sharp, predatory features and piercing crimson eyes. He has messy jet-black hair and wears a sharp black military uniform with gold epaulettes and a high collar. He has a calm, observant aura. Dark fantasy manhwa style with cinematic lighting. He is partially obscured by the shadows of a stone archway, creating a sense of mystery and power.
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