Image - 2026-05-27 17:24

A polished studio concept art board — a single composite page that reads as a high-end pre-production pitch deck for an animated short. NOT a vintage pencil sketch, NOT a finished movie frame, but a polished concept page in the visual treatment described below. Layout: TOP HEADER (left): bold modern display typography for the title "Город Мандавошек: Последний ужин", with a small stylised glyph next to it (sparkle, comet, or motif matching the visual treatment). Below in smaller crisp print: "OPENING SEQUENCE • DRAFT • CLAYMATION". TOP HEADER (right): a tidy "CHARACTER LINEUP" sub-heading set in the same typography. CENTER GRID: 5 numbered storyboard panels in a 3-column grid. Each panel is a softly rounded card with a thin warm-grey border and a delicate drop shadow (studio pre-prod board look). Inside every panel: a finished miniature of the action — rendered in the visual treatment described below. Top-left of each panel a small bold numbered tab (01, 02, 03…) and bottom-right an "X.Xs" timing tab — both set in clean modern typography (NOT hand-lettering). Panels: Panel 01 (12s): Роскошный микроскопический ресторан, построенный внутри переплетения золотистых человеческих волос. Интерьер освещен мягким светом биолюминесцентных ламп, напоминающих светлячко... Panel 02 (12s): Крупный план Миши, который опустился на одно колено на ковер из мягкого ворса. В его дрожащих лапках — крошечное кольцо, сплетенное из тончайшей золотой нити, которое ярко сверк... Panel 03 (12s): Вид из окна ресторана на паникующий город Пушистоград. Гигантская, ослепительно белая стена густой пены высотой с небоскреб надвигается на улицы из волосяных джунглей. Микроскоп... Panel 04 (12s): Интерьер разрушающегося ресторана в момент удара пены. Огромные белые пузыри проламываются сквозь потолок и стены, заполняя пространство. Миша и Лина крепко обнимаются в центре ... Panel 05 (12s): Макросъемка края белой фаянсовой раковины в светлой ванной комнате. В маленьком, одиноком пузырьке пены на поверхности сидят мокрые, но живые Миша и Лина. Они смотрят друг на др... RIGHT SIDEBAR (about 22% of page width): character model sheets. For each character below, render 3-4 polished turnaround sketches — front view, three-quarter view, profile, and a dynamic action pose — each in the visual treatment described below. Character name set in crisp modern typography above each set: Миша — Microscopic anthropomorphic louse character with a slightly nervous expression, large expressive eyes, and tiny neatly groomed antennae. ... Лина — Charming microscopic anthropomorphic louse character with a gentle, radiant smile and large, sparkling eyes. A tiny, vibrant blue wildflo... BOTTOM STRIP: a horizontal timeline ruler with seconds markings (0, 5, 10, 15… up to total duration), tick marks aligned to the panel durations above — clean vector look, not hand-drawn. Below the ruler, a tidy notes row: STORY / FLOW • ANIMATION • TIMING & RHYTHM • CAMERA — each with 2-3 short polished bullet points in crisp typography (you can invent plausible production notes from the story). VISUAL TREATMENT FOR PANELS AND CHARACTER LINEUP (THIS IS THE CRITICAL PART): hand-sculpted polymer-clay stop-motion characters — chunky cartoonish proportions, matte-white bulging eyes with tiny pupils, tactile fingerprint and tool-mark surface, warm practical-source lighting, soft shadows on a real diorama set. OVERALL STYLE: high-end studio mood-board page with the visual treatment above carried through every panel and every character render consistently. Clean modern typography, soft drop shadows on cards, occasional smooth-gradient accents in the margins (sparkles, stars, arrows). NO aged-paper look, NO hand-pencil sketches, NO mixed styles — every miniature on this page is rendered in the same single visual treatment described above. This is a polished pre-production concept page, finished enough to pitch in a studio review meeting.