Art style: Comic Book. A medium shot of Sentila and Arenla working side-by-side in the pottery workshop. Arenla is guiding Sentila's hands as they both touch a spinning mound of clay. The workshop is filled with the tools of the trade: wooden paddles, smooth stones, and water bowls. The lighting is bright and even, coming from the open side of the structure. The dominant colors are the grey of the clay and the warm wood tones of the workshop. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image entirely in "Comic Book" style. Match the lighting grammar, material response, colour science, level of realism / stylisation, line weight, and shading model typical of "Comic Book". Keep the subject, composition, camera angle, lighting direction, and colour palette from the description above — but EVERY surface, skin, fabric, material, and environmental element must be rendered in the "Comic Book" idiom, not in any other medium. Character appearance reference (MUST match exactly): - Sentila: A young Naga girl of about fourteen years, possessing a slender but sturdy build from village life. She has a round face with high cheekbones, bright and inquisitive dark eyes, and a warm, olive complexion. Her long, jet-black hair is neatly tied back in a thick braid. She wears a traditional hand-woven Naga shawl with vibrant red and black geometric patterns over a simple cotton tunic. Her expression is one of deep concentration and hidden ambition. She stands against a backdrop of a lush, green hillside village under a clear blue sky, her posture upright and hopeful. - Arenla: A woman in her late forties with a dignified and hardworking presence. Her face is etched with faint lines of wisdom and years of labor under the sun. She has strong, calloused hands with short, practical fingernails, often stained with the grey of the earth. Her hair is salt-and-pepper, pulled back into a tight, functional bun. She wears a traditional wrap-around skirt and a sturdy woven vest suited for pottery work. Her gaze is steady and practical, reflecting a life of experience and maternal concern. She is seen in a rustic pottery workshop with walls of woven bamboo and a dirt floor.
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