Ultra-realistic macro close-up portrait of a futuristic humanoid woman partially covered by an intricate porous biomorphic shell structure. The outer material resembles weathered white ceramic, fossilized coral, porous bone, calcified organic architecture, and lightweight bio-engineered composite material. The shell contains thousands of irregular holes, micro-cracks, rough mineral texture, subtle erosion, realistic imperfections, tiny surface contamination, natural wear, tactile porous detail. Underneath the shell, deep matte blue synthetic skin with extremely realistic micro-wrinkles, dry organic texture, subtle skin folding, lifelike material response to light. One striking hyper-realistic blue eye visible through the structure, with detailed iris fibers, natural moisture, cinematic reflections, authentic eyelashes. Shot with macro cinema photography, shallow depth of field, soft natural lighting, museum-quality object photography realism, ultra-detailed material rendering. Minimalistic background, soft gray gradient, natural atmospheric softness, physically accurate shadows and light diffusion. The image must look like a real photographed practical sci-fi prosthetic created from physical materials, NOT CGI, NOT 3D render, NOT digital painting, NOT concept art. Hyper-detailed tactile realism, realistic ceramic surface behavior, physical material authenticity, macro texture photography, grounded sci-fi realism. Negative prompt:cgi, 3d render, unreal engine, blender render, digital art, illustration, smooth surfaces, plastic texture, glossy material, synthetic lighting, concept art, game graphics, anime, oversharpening, fake pores, artificial texture repetition, stylized sci-fi, clean geometry
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