A vintage animation pre-production storyboard sheet on aged cream paper, hand-drawn pencil-and-ink illustration style with light watercolour wash. Layout: TOP HEADER (left): bold hand-lettered title "Город Забытых Шагов". Below header in smaller print: "OPENING SEQUENCE • DRAFT" with a small flower or star doodle. TOP HEADER (right): a small "CHARACTER DESIGN & MODEL SHEETS" column heading. CENTER GRID: 7 numbered storyboard panels in a 3-column grid, each panel framed with a thin pencil border, a small numbered tab (01, 02, 03…) in the top-left corner of each panel, a tiny "X.Xs" timing tab in the bottom-right corner. Each panel contains a quick rough sketch of the action described below, with a one-line caption underneath in hand-written capitals. Panels: Panel 01 (6s): Пустая площадь. Люди идут по кругу. В один момент — все одновременно останавливаются. Panel 02 (4s): Мужчина рядом с Лирой поднимает руку. И повторяет это движение снова. И снова. И снова. Panel 03 (4s): Лира открывает ладонь. Компас вращается без остановки. Panel 04 (4s): Стена. Надпись: НЕ ВЕРЬ СЕБЕ Она начинает исчезать. Panel 05 (6s): Лира смотрит вниз. Тёмный люк. Слабый свет внутри. Panel 06 (6s): Темнота. Вокруг Лиры — её копии. Panel 07 (5s): Знак: EXIT → Лира идёт. Выходит — в ту же улицу. RIGHT SIDEBAR (about 22% of page width): character model sheets. For each character below, draw 3-4 quick rough sketches showing front view, profile, and a dynamic action pose. Add the character name in small hand-lettering above the sketches. Characters: Лира — Девочка 13 лет с бледной кожей и тонкими чертами лица. Тёмные волосы до плеч, слегка растрёпанные, как будто она давно не обращает вниман... BOTTOM STRIP: a horizontal timeline ruler with seconds markings (0, 0.5, 1.0, 1.5… up to total duration), tick marks aligned to the panel durations above. Below the ruler, a small notes row: STORY/FLOW NOTES • ANIMATION NOTES • TIMING & RHYTHM • CAMERA & STAGING — with 2-3 short hand-written bullet points under each (you can invent plausible production notes from the story). OVERALL STYLE: warm aged-paper background with slight stains and edge wear, pencil shading, occasional small doodles in the margins (flowers, arrows, asterisks), feel of a real animator's working sheet. Color palette: cream paper, soft pencil greys, muted blues and browns, occasional accent colour. NO photorealism, NO 3D render look. This is a draft sketch sheet, not a finished frame.
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