Stop-motion puppet animation, 12 frames per second, Steve Burton claymation style, handcrafted ta...

Stop-motion puppet animation, 12 frames per second, Steve Burton claymation style, handcrafted tactile aesthetic, visible clay fingerprints and wool fibers on every surface, subtle frame-to-frame texture variation, rich saturated colors, warm amber and deep burgundy palette, 1990s Soviet apartment living room. CAMERA MOVEMENT: The camera is handheld-style with subtle micro-jitter — a 2mm random drift in all directions, mimicking a physical stop-motion camera on a slightly loose tripod. Over the 5 seconds, the camera VERY SLOWLY PANS RIGHT by approximately 3%, following MOM's movement toward the door. The pan is not smooth — it happens in 4 distinct micro-increments with tiny overshoots, like a camera operator manually turning a geared tripod head frame by frame. Additionally, the camera has an almost imperceptible BREATHING effect — a 1mm push-in and pull-back cycle that repeats twice over the 5 seconds, like a human operator behind the camera. This breathing is asynchronous with the action, creating a subtle documentary feel. CHARACTER CONSISTENCY CRITICAL: the GIRL’s face, warm beige skin, hazel-brown glass eyes, neat chin-length brown bob with straight bangs and red barrette, burgundy cable-knit sweater, white blouse collar, navy blue pleated skirt, cream knitted tights, dark blue felted slippers with embroidered flower — ALL REMAIN ABSOLUTELY IDENTICAL IN EVERY FRAME. The ROOM — floral wallpaper, wall carpet, sideboard, bookshelf, sofa, coffee table, framed Shishkin painting — DOES NOT CHANGE, DOES NOT SHIFT, DOES NOT MORPH. ACTION: MOM stands on the left, facing the GIRL on the sofa. MOM’s head turns from the GIRL toward the apartment door — the turn happens in 3 distinct micro-steps with slight jerkiness. Her painted lips move in 2 short syllables — she says a quiet warning, mouth opening and closing in 2 frames. Her right hand with the brass keys lowers from chest height to her side in 4 incremental drops, the keys catching light as they swing slightly. The GIRL on the sofa is mostly still — only her glass eyes track MOM’s movement, the hazel irises shifting, catchlights gliding across the glossy eyeballs. Her chest rises and falls once — a single subtle breath causing her sweater to expand 1mm. The ceiling lamp sways imperceptibly — just 1mm side to side, its shadow on the ceiling shifting accordingly. Dust motes drift slowly downward in the warm light beam — 3 visible particles falling at different speeds. MOM exits frame left — her plum