Stop-motion puppet animation, 12fps, Steve Burton claymation style, handcrafted aesthetic, frame-...

Stop-motion puppet animation, 12fps, Steve Burton claymation style, handcrafted aesthetic, frame-by-frame jerky movement, visible clay textures and wool fibers, color palette shifting from cold corpse-blue to deeper shadows as we move, 1990s Soviet apartment — transition from LIVING ROOM to CORRIDOR. NO SPECTRAL HANDS, NO VAPOR, NO GHOSTS. ONLY WRONG SHADOWS, WRONG LIGHT, AND PANIC. CAMERA: the camera is handheld-style but smooth, following the girl's movement. As she scrambles off the sofa and runs toward the corridor, the camera pans left and tracks with her — a swift but steady swish-pan that catches her desperate movement. The camera follows her into the corridor, keeping her in frame as she stumbles toward the entrance door. The movement is urgent, like a documentary crew reacting to sudden action, but remains smooth with no micro-jitter. By the end of the 5 seconds, the camera has fully transitioned from the living room into the corridor, facing the entrance door with the girl in the foreground. LIVING ROOM (first 2 seconds): Same room as Scenes 1-3 — textured wallpaper with beige and golden flowers (flowers now resembling faint screaming faces in the dim light), linoleum with honey-brown parquet pattern, Soviet wool wall carpet in deep red and navy, dark brown sideboard with white lace doily (dark stain spreading), PORCELAIN BALLERINA FIGURINE (now toppled on its side, tiny arm broken off), VINTAGE RADIO on sideboard (cold blue light pulsing erratically, rapid flickers), bookshelf with VHS tapes and rubber plant, floor lamp off, window curtains completely drawn, radiator, brown velour sofa, framed Shishkin painting, coffee table (TV guide fallen to floor), white glass dome ceiling light (swinging in 15-degree arc), Persian wool rug. CORRIDOR (last 3 seconds): Narrow hallway with SAME textured wallpaper and SAME linoleum as living room — visual continuity. Left wall: dark wooden coat rack with brass hooks — beige trench coat, dark blue wool coat, small red child's jacket with fur-trimmed hood hanging. Below: small wooden shoe rack with shoes. Right wall: wall-mounted beige rotary bakelite telephone — receiver ON HOOK for now. Framed folk embroidery above phone. Far end: ENTRANCE DOOR — white painted wood, yellowed with age, brass peephole, brass door chain. Dark brown leatherette-upholstered inner panel with vertical stitched lines. The door is currently NORMAL but will begin to change. Overhead: bare bulb in frosted glass shade, dim warm light