Art style: Cinematic Realistic 3D. A medium over-the-shoulder shot from behind Agent Knox, looking toward Dr. Evelyn Morrow in the darkened control room. Knox's shoulder and the back of his dark trench coat occupy the foreground, creating a sense of confrontation. Morrow stands three meters away, illuminated by the harsh, vertical light of an emergency red lamp that creates deep shadows in her eye sockets. Between them, a heavy metal desk holds a scattered array of top-secret government files, one of which clearly displays the black hand-drawn Symbol. The atmosphere is thick with unspoken tension and suspicion. The color palette is a high-contrast mix of deep blacks and saturated emergency reds. The textures are gritty and realistic, from the coarse wool of Knox's coat to the smooth, cold surface of the laboratory equipment. Volumetric fog fills the space between the two characters, catching the red light and creating a sense of physical separation. The background is a blur of dark machinery and silent monitors. Morrow's expression is a mask of clinical indifference, but her hands are tightly clenched at her sides, hidden partly by the folds of her white lab coat. A single, thin wire hangs from the ceiling, swaying slightly in an invisible draft. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image entirely in "Cinematic Realistic 3D" style. Match the lighting grammar, material response, colour science, level of realism / stylisation, line weight, and shading model typical of "Cinematic Realistic 3D". Keep the subject, composition, camera angle, lighting direction, and colour palette from the description above — but EVERY surface, skin, fabric, material, and environmental element must be rendered in the "Cinematic Realistic 3D" idiom, not in any other medium.
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