Art style: Cinematic Realistic 3D. An over-the-shoulder shot from behind Agent Knox, looking at a large, flickering CRT monitor inside the Black Archive. Knox is visible in the foreground, his dark trench coat and black gloved hand resting on the edge of a metal desk. In the midground, Dr. Morrow stands beside him, her white lab coat glowing in the blue light of the screen, her expression frozen in clinical observation. The monitor displays a high-contrast, frozen frame of the symbol found on the seabed. The background is filled with floor-to-ceiling shelves of manila folders, analog tape reels, and heavy iron cabinets. The lighting is moody and cinematic, with the primary light source being the flickering blue glow of the monitor, casting long, sharp shadows across the room. Volumetric fog drifts through the air, caught in the light beams. The atmosphere is tense and heavy with secrets. The color palette is dominated by moody teal, amber from a small desk lamp, and the stark white of Morrow's coat. Micro-details include dust motes dancing in the light and the reflection of the symbol in Knox's dark eyes. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image entirely in "Cinematic Realistic 3D" style. Match the lighting grammar, material response, colour science, level of realism / stylisation, line weight, and shading model typical of "Cinematic Realistic 3D". Keep the subject, composition, camera angle, lighting direction, and colour palette from the description above — but EVERY surface, skin, fabric, material, and environmental element must be rendered in the "Cinematic Realistic 3D" idiom, not in any other medium.
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