Slow cinematic camera movement across Edvard Munch's painting "The Scream" (1893). The painting...

Slow cinematic camera movement across Edvard Munch's painting "The Scream" (1893). The painting is shown in extreme close-up detail throughout, filling the entire frame — not as a framed artwork on a wall, but as if the camera is moving through the painting itself. 0:00–0:04 — Opening frame: only the sky. Extreme close-up of the upper portion of the painting — blood-red and orange swirling brushstrokes fill the screen, turbulent, almost violent in color. The texture of the paint is visible — rough strokes, layered pigment, the rawness of the cardboard beneath. Camera holds still for a moment, letting the color breathe. 0:04–0:10 — Slow, continuous tilt down. The camera begins descending smoothly through the painting — from the blazing sky, past the dark blue- black fjord in the middle distance, along the diagonal lines of the bridge railing cutting across the frame. Movement is slow and deliberate, almost reluctant, as if not wanting to arrive at wh