Image - 2026-07-27 15:25

Use the attached photo as the ONLY reference for the character's IDENTITY. Take her FACE shape, HAIR (color, length, style), complete OUTFIT (top, bottoms, shoes, jewelry, bag, every accessory), SKIN TONE and BODY TYPE 100% from the reference photo and keep them exactly consistent in every panel. Do NOT copy the makeup from the photo — the makeup is defined by this prompt. CRITICAL STYLE: this is a fully stylized 3D CARTOON ANIMATED MOVIE — EVERYTHING is cartoon/3D-rendered, including the BACKGROUND. NOT a real photo, NOT photorealistic, NO real environment. The whole scene (airport, desk, lights, background travelers, passport) must be a stylized 3D cartoon render, like a frame from a 3D animated film. The CHARACTERS must look like BRATZ-style plastic fashion DOLLS rendered in 3D cartoon animation. Mandatory doll features in EVERY panel: Clearly a plastic DOLL look — smooth glossy plastic doll skin with a shiny sheen. Oversized doll head proportionally large compared to a slim thin doll body. Visible plastic ball-joints at shoulders and elbows (toy articulation points visible). Full glossy plump sculpted lips, small stylized doll nose, sharp arched brows. Big glam doll eyes with heavy lashes (when in makeup). Long glossy sculpted doll hair. The girl and the officer both look like Bratz-style dolls, but placed inside a fully CARTOON 3D-animated airport (stylized cartoon background, NOT realistic). Soft cinematic cartoon lighting, shallow depth of field, everything consistently in the same 3D animated cartoon style.MOST IMPORTANT RULE — THE EYES (this is the whole point of the story): WITH GLAM MAKEUP: her eyes are HUGE, oversized, glossy, wide open, dramatic glam doll eyes. WITHOUT MAKEUP: her eyes become DRAMATICALLY SMALLER — tiny, small, and round—MUCH smaller than in the glamorous version; they are clearly reduced in size, with no eyelashes and thin, barely visible eyebrows. The difference in size must be OBVIOUS and EXAGGERATED. Do NOT keep the eyes at their original size—a no-makeup face MUST have very small, round eyes, yet the iris, pupil, and white of the eye must still be visible. STRICT LAYOUT RULES (very important, follow exactly): Output ONE single tall vertical storyboard sheet. A PERFECTLY REGULAR GRID of EXACTLY 16 panels, arranged in 4 columns × 4 rows. EVERY panel must be the EXACT SAME SIZE and the SAME vertical 9:16 aspect ratio (portrait rectangles, taller than wide). NO square panels, NO wide panels, NO panels of different sizes. Equal thin white gutters between all panels, perfectly aligned rows and columns. Number each panel clearly with a small bold label in the TOP-LEFT corner: 1 through 16 in order, left-to-right, top-to-bottom. Every panel MUST have its number. Do NOT skip any number. Do NOT add a 17th panel.Total exactly 16 panels, no more, no less. SETTING: an airport passport control / customs desk, bright airport daylight, blurred travelers, barrier ropes and info screens in the background. A consistent secondary character in the same 3D cartoon doll style: a male customs officer (light blue uniform with gold shoulder stripes, short brown hair, glossy doll skin) behind the desk in all counter panels. The SAME girl appears in all 16 panels with her identity, hair and outfit from the reference photo. She starts in FULL GLAM MAKEUP (dramatic false lashes, sharp bold brows, HUGE glossy eyes, glossy lips) until she removes it. PANEL 1 — WIDE. The glam doll girl walks up to the customs counter, confident stride, holding her passport, huge glam eyes, bag on shoulder, airport hall behind. PANEL 2 — MEDIUM two-shot, she hands her passport across the desk to the officer, calm confident face, big glam eyes. PANEL 3 — EXTREME CLOSE-UP of the OPEN passport in the officer's hands. The photo shows the SAME girl WITHOUT makeup: VERY TINY, SMALL, ROUND beady eyes, thin invisible brows, no lashes, pale lips, dull flat face. (KEY MOMENT — tiny round eyes, shocking contrast.)PANEL 4 — CLOSE-UP of the officer looking down at the passport photo, confused suspicious frown, one eyebrow raised. PANEL 5 — OVER-THE-SHOULDER, the officer looks UP at the glam girl (huge eyes) then back at the tiny-eyed passport photo, puzzled "is this really her?" look. PANEL 6 — MEDIUM of the glam girl (big glam eyes) annoyed "ugh, not again" expression, slight eye-roll. PANEL 7 — EXTREME CLOSE-UP of her EYE, fingers peeling OFF the false lashes — the eye visibly SHRINKS into a small round beady eye. PANEL 8 — MEDIUM, she pulls a white makeup wipe from her bag and wipes her face, smeared makeup on the cloth, eyes already smaller. PANEL 9 — CLOSE-UP of her face AFTER removing makeup: VERY SMALL, TINY, ROUND little eyes (dramatically smaller), thin invisible brows, smaller pale lips, bare flat doll face, neutral tired look. Same hair and outfit. PANEL 10 — MEDIUM two-shot, she shows her bare tiny-eyed face across the counter, plain calm expression, officer studying her. PANEL 11 — CLOSE-UP of the officer, mildly surprised but now understanding it IS her, awkward nod.PANEL 12 — EXTREME CLOSE-UP, comparison: her bare tiny-eyed face next to the tiny-eyed passport photo, clearly matching. PANEL 13 — CLOSE-UP of the officer's hand pressing a rubber "ENTRY APPROVED" stamp onto the open passport, decisive motion. PANEL 14 — MEDIUM, the officer hands the passport back across the counter, she takes it, bare tiny-eyed face. PANEL 15 — MEDIUM-WIDE, she turns away from the counter, bare face with small round eyes, annoyed unhappy frown, bag on shoulder. PANEL 16 — FULL BODY WIDE, she walks away down the airport hall, annoyed unhappy expression, bare tiny-eyed face, officer watching in the blurred background. Cohesive palette, cinematic soft light, high detail, SAME doll identity, hair and outfit in every panel. The eye-size contrast (huge glam vs tiny round bare) must be clear and exaggerated. Frames from a 3D animated movie, never a real photo. REMEMBER: exactly 16 equal vertical panels in a perfect 4×4 grid, each numbered 1–16.