Image - 2026-08-17 03:53

The attached 4×4 storyboard sheet (16 numbered panels) is the ONLY source of truth for identity and design. Take the main GIRL, the male customs officer, their exact faces, hair, wardrobe, bag, accessories, skin tone, body proportions, the Bratz-style plastic fashion doll look, and the cartoon airport 100% from this storyboard. Do not invent new characters or restyle them — match the storyboard exactly. Her BARE, no-makeup face must look EXACTLY like it is drawn in PANEL 9 and in the passport photo in PANEL 3 — copy that exact bare-face look (eye size, brows, lips, flat neutral face) rather than inventing your own. Animate the storyboard panel by panel, in order, exactly as numbered. Photoreal-quality 3D CARTOON ANIMATED MOVIE, fully stylized like a frame from a 3D animated film — everything cartoon-rendered including the background, never a real photo, never photorealistic humans. 9:16 vertical. 15s. Warm bright airport daylight, soft cinematic cartoon lighting, shallow depth of field, cohesive palette. Both characters are glossy plastic BRATZ-style fashion DOLLS: shiny plastic doll skin, oversized doll heads on slim bodies, visible ball-joints at shoulders and elbows, plump glossy sculpted lips, small doll nose, sharp arched brows, long glossy sculpted hair. NON-IP — generic doll design, not any brand or character. SFX only. SCENE CONTEXT: a stylized 3D-cartoon airport passport-control desk. The doll girl clears customs; the customs officer cannot tell if she matches her bare-faced passport photo, so she removes all her glam makeup to prove it is her — and her face changes to match her passport. The whole point of the story is the CONTRAST between her HUGE glam makeup look and her bare no-makeup look from PANEL 9 / PANEL 3. LOCATION MAP: foreground is the customs counter with the open passport; midground is the officer in a light-blue uniform with gold shoulder stripes behind the desk; background is a blurred cartoon airport hall with travelers, barrier ropes, glowing info screens. Key light from screen-right, soft warm daylight, white balance 5600K, gentle contact shadows on the desk. FORMAT MODE: one continuous single take that animates the 16 storyboard panels in order, with internal HARD CUTs at the stated seconds; cuts only at the specified points, the camera does not cut on its own. Across all cuts hold the same doll identities, hair, wardrobe, screen direction, key-light from screen-right, and prop state, exactly as in the storyboard. CAMERA (3rd priority): eye-level doll-scale camera, smooth confident moves, operator on the shadow side; FOV per segment below, no drift mid-segment. 0.0s to 1.1s — PANEL 1. WS, 47° FOV. The glam girl walks up to the customs counter with a confident stride, HUGE glossy glam eyes, dramatic lashes, bold brows, glossy lips, bag on her shoulder, holding her passport, airport hall behind. Slow push-in following her. 1.1s HARD CUT 1.1s to 2.1s — PANEL 2. MS 47° two-shot. She hands her passport across the desk to the officer, calm confident face, big glam eyes. 2.1s HARD CUT 2.1s to 3.4s — PANEL 3. ECU 18° on the OPEN passport in the officer's hands. The photo shows the SAME girl WITHOUT makeup, exactly as drawn in PANEL 3: bare flat doll face, small eyes, thin nearly invisible brows, no lashes, pale lips. Hold to sell the contrast. 3.4s HARD CUT 3.4s to 4.3s — PANEL 4. CU 29° on the officer looking down at the passport photo, confused suspicious frown, one brow raised. 4.3s HARD CUT 4.3s to 5.4s — PANEL 5. OVER-THE-SHOULDER 29°, the officer looks UP at the glam girl then back down at the tiny-eyed passport photo, puzzled "is this really her?" beat. 5.4s HARD CUT 5.4s to 6.3s — PANEL 6. MS 29° on the glam girl, annoyed "ugh, not again" expression, slight eye-roll, HUGE glam eyes. 6.3s HARD CUT 6.3s to 7.6s — PANEL 7. ECU 18° on her eye as her fingers peel OFF the false lashes; the eye visibly changes toward her bare look, brow going thin — a clear on-screen shift toward the PANEL 9 face. 7.6s HARD CUT 7.6s to 8.7s — PANEL 8. MS 29°. She pulls a white makeup wipe from her bag and wipes her face, smeared makeup on the cloth, her face becoming the bare look. 8.7s HARD CUT 8.7s to 10.0s — PANEL 9. CU 29° reveal of her bare face AFTER removing makeup, looking EXACTLY like PANEL 9 of the storyboard: same bare flat doll face, same eye size, thin invisible brows, smaller pale lips, neutral tired expression. Same hair and outfit. Hold this reveal. 10.0s HARD CUT 10.0s to 10.9s — PANEL 10. MS 29° two-shot. She shows her bare face across the counter, plain calm expression, officer studying her. 10.9s HARD CUT 10.9s to 11.8s — PANEL 11. CU 29° on the officer, mildly surprised but now understanding it IS her, awkward nod. 11.8s HARD CUT 11.8s to 12.7s — PANEL 12. ECU 18° comparison: her bare PANEL-9 face beside the passport photo, clearly matching. 12.7s HARD CUT 12.7s to 13.4s — PANEL 13. ECU 18° on the officer's hand pressing a rubber "ENTRY APPROVED" stamp onto the open passport, decisive motion, ink mark left. 13.4s HARD CUT 13.4s to 14.1s — PANEL 14. MS 47° two-shot. The officer hands the passport back across the counter, she takes it, bare PANEL-9 face. 14.1s HARD CUT 14.1s to 14.6s — PANEL 15. MEDIUM-WIDE 47°. She turns away from the counter, bare face, annoyed unhappy frown, bag on shoulder. 14.6s HARD CUT 14.6s to 15.0s — PANEL 16. WS 63° full body. She walks away down the cartoon airport hall, annoyed unhappy expression, bare PANEL-9 face, officer watching in the blurred background. PERFORMANCE: doll faces with subtle plastic sheen and living catch-lights in the eyes; micro-expressions only — a real eye-roll, a swallow, a tired sigh, the officer's brow flicks. Restraint over exaggeration except for the deliberate makeup-removal transformation. PHYSICS: doll hair swings with a little inertia, the bag sways with her walk, the wipe cloth bends and creases, the stamp lands with weight and a tiny ink squish, real soft contact shadows on the desk. POSITIVE LOCKS: girl's face, hair, wardrobe and bag stay 100% identical to the storyboard the whole time; her no-makeup face matches PANEL 9 and the PANEL 3 passport photo exactly; the officer stays the same in his light-blue gold-striped uniform at the desk; key light stays screen-right in every cut; the transformation reads clearly — full glam look before, exact PANEL-9 bare look after, changing on-screen during the lash-peel and wipe; fully 3D cartoon look throughout, cartoon background too, never a real photo; all 16 panels play in order across the 16 timed segments above. SFX only: soft airport ambience and murmur, footsteps on tile, a passport slap on the counter, a light plasticky lash-peel, a wipe rustle, a firm wooden stamp thud, then footsteps walking away.