Same office, same character, same moment and same lighting as the reference image — this is the identical scene re-shot from a slightly different camera position. Nothing in the room is rearranged. Move the camera a little to the character’s LEFT and closer in, to a gentle three-quarter angle about 20°, at eye level. Framing: helmet and upper chest, with the front edge of the desk and its objects running along the bottom of the frame. Character identical to reference: glossy dark-navy almost-black teardrop full-face helmet, fully opaque visor, no face or eyes visible, thin cool blue-violet neon lines — one down the centre of the visor, two symmetrical lines framing the visor from crown to chin. Same navy three-piece suit, white shirt cuffs, navy tie and pocket square, thin navy leather gloves. Same oxblood leather chair, same mahogany desk. Keep the EXACT same desk layout as the reference — the brass banker’s lamp and the stacked leather-bound books stay on their side, the cut-crystal whiskey tumbler and the black fountain pen stay exactly where they are. Do not move, add, remove, mirror or flip anything; the camera viewpoint is the only thing that changes, so every object is simply seen from the new angle. Same Moscow-City and Kremlin night skyline through the window, same dark clouds, same city lights, same weather, same warm-lamp-versus-cool-city grade. Photorealistic, cinematic, vertical 9:16.
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