Image - 2026-08-29 14:12

Photorealistic interior photography of the SAME bedroom as in the source image (image 1). Identical viewpoint, identical perspective, identical framing, identical room geometry, identical joinery, identical furniture and identical architecture. NOTHING is moved, added, removed or resized. THREE CHANGES ONLY: the wood tone, the sill cushions and the bed dressing — all taken from the reference image (image 2). CHANGE 1 — WOOD TONE OF THE FLOOR AND THE NICHE Both the flooring and the wooden window niche on the right currently read slightly too light, too cool and too washed-out, with a faint grey-beige cast. Warm them to the exact oak of the reference: natural light oak with a gentle honey-beige warmth, a soft golden undertone, slightly deeper and richer than the current tone, with clearly visible fine natural grain and gentle variation between planks and panels. Matte finish, no gloss, no varnish, no orange, no red, no dark stain, no grey wash. The floor and the niche share exactly the same wood tone and the same warmth — one consistent material family across both. Keep the floor's exact plank direction, plank width and laying pattern. Keep the niche's exact geometry — the same reveal, the same frame profile, the same sill with its projecting stepped front edge, the same depth, the same width and the same height above the floor. Only the wood tone and grain change. CHANGE 2 — CUSHIONS AND THROW ON THE WINDOW SILL Recolour the textiles on the sill to the reference palette: one soft muted sage-green velvet cushion, one ivory-cream cushion with a fine woven texture, and one dusty mauve-lilac cushion. Remove the grey and charcoal tones completely. The throw draped over the sill becomes soft ivory-cream with a visible fringe, matte woven wool. Keep the same number of cushions, the same sizes, the same positions and the same arrangement on the sill, and keep the throw in its exact position and drape. Only the colours and fabrics change. CHANGE 3 — VISIBLE PART OF THE BED Re-dress the visible foot section of the bed exactly in the reference style: a quilted warm ivory-beige coverlet with a fine square quilted texture, laid neatly with a straight folded edge, and a soft dusty mauve-lilac throw draped loosely across it. Remove the current grey bedding and the grey blanket completely — no grey, no charcoal, no cold tones. Matte natural fabrics, softly and neatly arranged, not messy, not crumpled. Keep the bed in its exact position, size, orientation, height and silhouette — only the textiles change. WHAT IS NOT CHANGED — CRITICAL The built-in wardrobe, the desk and the niche back panel keep their exact current greige-beige lacquer colour — they are NOT warmed, NOT recoloured and NOT affected. The painted walls and the ceiling keep their exact current colour — they are NOT repainted. The door on the left keeps its exact ivory colour, panel profile and black lever handle. The ivory boucle chair keeps its exact colour and shape. PRESERVE EVERYTHING ELSE EXACTLY AS IN THE SOURCE IMAGE Keep the identical viewpoint, perspective, height and framing. Keep the exact room proportions, ceiling height, wall planes and corner junctions. Keep the full-width built-in wardrobe exactly as it is in width, height, door count, shaker panel profile, panel divisions, shadow gaps, central niche and plinth. Keep the TV in its exact position, size and black finish. Keep the vase with dried branches, the small vessels and the open book on the desk in their exact positions. Keep the ivory linen roman blind in its exact position, drop height, folds and colour. Keep the ivory-beige rug in its exact position, size and shape. Keep the air conditioning unit, the wall switches and the sockets in their exact positions. Keep all recessed downlights and the warm cove light strip in their exact positions. Keep the skirting boards. Do not add artwork, plants, curtains, lamps, decor, pillows or any furniture that is not in the source image. Do not add a headboard. Do not remove anything. LIGHTING Unchanged from the source: warm recessed downlights, the warm cove glow along the ceiling, soft daylight from the window on the right, gentle ambient fill, realistic soft shadows with natural falloff, balanced exposure, no blown highlights, no cold cast, no added light sources. --no watermark, logo, text, signature, brand mark, software watermark, stamp, caption, changed viewpoint, shifted perspective, changed framing, cropped composition, zoomed in, changed room proportions, changed layout, changed geometry, recoloured wardrobe, warmed wardrobe, changed cabinet colour, yellowed joinery, repainted walls, changed wall colour, warmed walls, yellow walls, changed ceiling colour, changed door colour, yellow door, dark floor, brown floor, orange floor, red wood tone, grey floor, washed-out floor, bleached wood, glossy floor, varnished floor, changed plank direction, changed plank width, herringbone floor, dark wood niche, walnut niche, orange niche, grey niche, glossy sill, changed sill depth, changed sill projection, flattened sill, removed sill step, built-in bench, mismatched wood tones, floor and niche in different tones, grey cushions, charcoal cushions, dark cushions, blue cushions, bright cushions, patterned floral cushions, added cushions, removed cushions, rearranged cushions, changed cushion count, oversized cushions, grey throw, dark throw, removed throw, grey bedding, charcoal bedding, dark bedding, plain white bedding, patterned bedding, floral bedding, bright coloured bedding, messy bedding, crumpled bedding, added pillows on the bed, added headboard, moved bed, changed bed position, removed TV, moved TV, removed desk, moved desk, moved chair, changed chair colour, removed vase, removed book, changed blind, removed blind, moved rug, changed rug colour, removed rug, removed air conditioner, added downlights, added pendant lights, removed cove light, added artwork, added plants, added curtains, added decor, people, cold blue tones, harsh flash, blown highlights, cartoon, CGI look, blurry textures