Art style: 3D Pixar. Максим sitting in the middle ground. Stacks of boxes towering behind the character. Максим is sitting on office chair in the middle ground in the foreground. Torso facing camera. Head facing camera. Eyes on monitor. Holding head. Stressed and overwhelmed. Максим wears fixed_by_reference. Partially behind none. Medium close-up from a low angle, 9:16. Tight framing on Maksim to emphasize claustrophobia. Key light from screen, harsh and flickering. Focus: Maksim's face. Dominant palette: cold blue, neon red, muted brown. SPATIAL LOCK: stacks of boxes towering behind the character. GAZE LOCK: Максим head facing camera eyes on monitor. This is a single frozen instant (action start) — no motion blur, no action chained. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image in the following art style: Pixar-style 3D computer animation (Pixar / Disney feature-film look) — fully volumetric 3D rendering with rounded dimensional forms, soft subsurface-scattering skin, physically based materials, soft global illumination, warm cinematic key light, gentle depth of field, vibrant family-friendly colours. CRITICAL: EVERY element — characters, foliage, trees, animals, water, sky, props and the entire environment — must be rendered as polished 3D CGI with real depth and form. This is NOT flat 2D illustration, NOT a watercolour or storybook painting, NOT cel-shaded anime. Every surface, skin, fabric, material, and environmental element must be rendered in this idiom. Character appearance reference (MUST match exactly): - Максим: Молодой человек лет двадцати пяти с дружелюбным лицом, коротко стриженными темными волосами и выразительными карими глазами. У него атлетичное, но худощавое телосложение. Его облик выражает энергию, переходящую от стресса к полной уверенности. Он находится в современном офисе, залитом мягким светом от мониторов. На лице легкая щетина, взгляд сосредоточенный.
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