Art style: Motion Comic. Full-length view, the entire figure visible from head to feet, standing upright, figure centered. Dan is a man in his early thirties, twin brother to Diana, sharing her family resemblance: an oval face with high cheekbones, a straight nose, and expressive grey-green eyes that hold a guarded, guilt-shadowed intensity. Fair skin, tousled dark-brown hair swept back, a short trimmed stubble beard. Lean, athletic build of medium height. He wears a charcoal-grey open overcoat over a dark navy sweater, slim black trousers, and polished black leather lace-up shoes. One hand rests in his coat pocket, the other slightly clenched; his expression is tense and secretive, jaw set, eyes lowered as if hiding a truth. He stands in a dim, rain-streaked city street at night, wet cobblestones reflecting faint streetlamp light behind him. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image in the following art style: modern semi-realistic digital comic / motion-comic illustration — bold sketchy crosshatched linework especially around large expressive eyes, soft cel shading with painterly gradients, cinematic lighting contrast (warm-to-cool twilight glow against cosy teal-and-amber interiors), mostly static illustrated panels animated with subtle cinemagraph motion: gentle hair drift, slow blinking, soft breathing, slight parallax between foreground and background, slow camera pans and zooms rather than full frame-by-frame animation. Every surface, skin, fabric, material, and environmental element must be rendered in this idiom.
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