Hand-drawn 2D in Klaus (2019) style: painterly, volumetric lighting, soft shadows, textured brush...

Hand-drawn 2D in Klaus (2019) style: painterly, volumetric lighting, soft shadows, textured brushwork. No 3D, no CGI, no plastic. Side view of ship's hull hitting massive ice floe. Ship advances FORWARD, bow-first, never backward. Steel hull slams into ice: plates crumple inward, buckle, jagged crack opens. Rivets pop, paint flakes. Ice shatters violently — slabs split, slide backward/outward along hull. Ice fragments, snow dust, water spray burst upward/outward sharply. Forward motion dominant. Hull deforms slowly, heavily, no bounce-back, no recoil, no reversal. Thick smoke streams backward from funnel. Snow drifts diagonally. Rigging trembles faintly. Deck, superstructure rigid. Crew static silhouettes. Golden sunset light backlights ice spray, warm highlights on crumpled metal. Clouds stable, sun glints on horizon. 2D parallax: foreground ice/spray fastest, hull focal, mid-ground ice slower, sky slowest. Camera slow forward dolly with ship, side impact angle, slight vertical shake. No zoom/rotation. Soft painterly transitions. No hard gradients, no plastic 3D, no squash/stretch, no anime. CAMERA: Hand-drawn 2D multiplane parallax. Slow forward dolly with slight impact shake. No zoom/rotation. MOTION: Ship advances forward, hull crumples inward, ice shatters and slides backward, debris/spray burst outward, smoke streams back, rigging trembles. Camera advances. CONTINUITY: Hull (except natural crumpling), funnel, superstructure, masts, rigging, deck, static crew, ice field, clouds, sky — rigid. Only forward ship travel, ice breaking, hull denting, debris, spray, smoke, snow, parallax, light shift. REALISM: No morphing beyond realistic metal crumpling, no added elements, no 3D shading, no glossy CGI, no squash/stretch, no anime, no rubbery deformation, no sudden camera movement. Ship moves forward only, never backward. Crew not animated. Strictly hand-drawn 2D in Klaus style.