Image - 2026-10-01 11:00

A traditional hand-drawn FILM STORYBOARD SHEET for scene 1: one page divided into a clean 3x3 grid of NINE separate rectangular panels, three rows of three, each panel a 9:16 rectangle with a thin ruled black border and a small hand-written panel number in its top-left corner from 1 to 9. Thin white gutters between panels. Off-white paper background with faint tooth. MEDIUM, STRICT: rough graphite pencil drawing only. Loose confident director's sketch, visible pencil strokes, hatching and smudged shading for shadow, some construction lines left in. Monochrome grey graphite, NO colour anywhere, NO paint, NO digital rendering, NO photorealism. It must look drawn by hand on paper in a few minutes per panel. No named characters — stage the action with anonymous figures. Divide the following 6-second scene into NINE consecutive story beats yourself, in strict chronological order, and draw one panel per beat. Vary the shot size between panels — do not draw nine versions of the same framing. THE SCENE: LANGUAGE: All dialogue is spoken aloud in Russian, word for word as written, natural for a native Russian speaker; every spoken word is Russian. ⭐ BINDING INSTRUCTIONS — read these first and obey them in every shot SPEECH (strict): these are the ONLY spoken lines in this clip. They MUST be spoken aloud, in Russian, word for word, by exactly these characters, in this order, each in that character's own voice — even if the speaker is not in frame at that moment (then the line is heard as off-screen voice while nobody's mouth moves). Nobody says anything else. Lines are HEARD, never shown as text or subtitles. 1. БЛОНДИН (in frame, lip-sync): "Смотри, куда прёшь, крокодилина!" END BINDING INSTRUCTIONS NON-NEGOTIABLE SCENE CONTRACT: - The setting and rendering register stay exactly as established: photorealistic cinematic live-action, warm daytime color grade against cool grey-blue city, teal-and-orange with orange as hero accent, soft natural light, shallow depth of field, fine film grain, no glossy sheen, wet asphalt reflections, dust motes in sunbeams, shop-window reflections. - Acting in this shot: АЛЯ, БЛОНДИН. - Not present in this shot, do not depict them: КРИСТИНА, ВАЛЬКА, ОХРАННИК. DIALOGUE (the only speech in this clip): 0:04 @БЛОНДИН, sitting on the platform tiles and glaring up at Alya, voice thin, sharp nasal tenor, clearly audible: "Смотри, куда прёшь, крокодилина!" Only Blondin's mouth moves. CAST: @АЛЯ: adult woman, full sturdy build, big messy chestnut curls, bright orange oversized hoodie, light-blue flared jeans, empty hands. @БЛОНДИН: adult man, thin and wiry, slicked-back platinum-blond hair, light summer suit, white shirt, narrow black tie. He holds one brown leather briefcase in his right hand. Passive cast: exactly six commuters stand on the platform, spread along the back wall, not moving. All six wear hot-July clothes: t-shirts, short sleeves, light fabrics, and one woman wears a sundress. Everyone on screen is an adult. OPENING (the plate, 0:00): A metro platform under cool fluorescent ceiling light, bright and evenly lit, with no sky. A packed train car has just stopped at the platform with its doors shut. Alya in her orange hoodie stands among summer-dressed commuters behind the door glass. Blondin walks along the platform at frame right, briefcase in his right hand. The six commuters stand still along the back wall. The camera is level, at side view along the platform. SHOTS: 0:00-0:04 Wide side shot, single take. - The doors slide open and the crowd of summer-dressed commuters pours out onto the platform, carrying Alya with the flow. - She crosses into frame right and leans into Blondin with her shoulder. - He stumbles and falls onto the tiles, landing seated. - The briefcase slips from his right hand and papers scatter across the tiles in a fan. - The camera pans gently with Alya. 0:04-0:06 Hard cut. Medium shot on Blondin from the same side. - Blondin sits on the tiles, glaring up at Alya, and says the line. - Alya crouches among the scattered pages, guilty and hurried, and is snatching pages from the tiles as the clip ends. - The brown briefcase lies on the tiles beside Blondin's right hand. LIGHT AND AIR: cool fluorescent glow from the ceiling. The air feels warm and dry. Faces and fabric show texture, lit from one side. SOUND: train brakes hiss, the doors rumble open, crowd footsteps and murmur, a thud as Blondin hits the tiles, papers rustle, Blondin's line. CONTRACT: normal real-time speed. Exactly one brown briefcase. Exactly six standing commuters. One stunt (the fall), in the first shot. The clip ends on movement. CONTRACT CHECKSUM (these override anything above that contradicts them): - The setting and rendering register stay exactly as established: photorealistic cinematic live-action, warm daytime color grade against cool grey-blue city, teal-and-orange with orange as hero accent, soft natural light, shallow depth of field, fine film grain, no glossy sheen, wet asphalt reflections, dust motes in sunbeams, shop-window reflections. - Acting in this shot: АЛЯ, БЛОНДИН. - Not present in this shot, do not depict them: КРИСТИНА, ВАЛЬКА, ОХРАННИК. Draw camera arrows and simple motion lines in pencil where movement matters, and keep every panel's staging consistent with the one before it — this sheet is a shooting plan, so a person standing screen-left in one panel stays screen-left in the next unless the action moves them. NO text or captions anywhere except the small panel numbers 1 to 9. No title block, no handwriting in the margins, no speech bubbles, no subtitles, no watermark, no logo.