Image - 2026-10-01 11:12

A polished studio concept art board — a single composite page that reads as a high-end pre-production pitch deck for an animated short. NOT a vintage pencil sketch, NOT a finished movie frame, but a polished concept page in the visual treatment described below. Layout: TOP HEADER (left): bold modern display typography for the title "«Особое требование» — Серия 1 «Крокодилина» Хронометраж: ~85 сек | Формат: 9:16 вертикальный СЦЕ...", with a small stylised glyph next to it (sparkle, comet, or motif matching the visual treatment). Below in smaller crisp print: "OPENING SEQUENCE • DRAFT • PHOTOREALISTIC CINEMATIC LIVE-ACTION, WARM DAYTIME COLOR GRADE AGAINST COOL GREY-BLUE CITY, TEAL-AND-ORANGE WITH ORANGE AS HERO ACCENT, SOFT NATURAL LIGHT, SHALLOW DEPTH OF FIELD, FINE FILM GRAIN, NO GLOSSY SHEEN, WET ASPHALT REFLECTIONS, DUST MOTES IN SUNBEAMS, SHOP-WINDOW REFLECTIONS". TOP HEADER (right): a tidy "CHARACTER LINEUP" sub-heading set in the same typography. CENTER GRID: 13 numbered storyboard panels in a 4-column grid. Each panel is a softly rounded card with a thin warm-grey border and a delicate drop shadow (studio pre-prod board look). Inside every panel: a finished miniature of the action — rendered in the visual treatment described below. Top-left of each panel a small bold numbered tab (01, 02, 03…) and bottom-right an "X.Xs" timing tab — both set in clean modern typography (NOT hand-lettering). Panels: Panel 01 (6s): Metro platform under cool fluorescent light, a packed train car with its doors shut. Alya in her orange hoodie stands in the crowd behind the glass. Blondin, holding the brown b... Panel 02 (6s): Same platform. Alya is crouching among the scattered papers, with a sheet bearing a shoe print in her right hand. Blondin stands over her with empty hands, and the briefcase lie... Panel 03 (9s): A long metro escalator lit by warm lamps. Alya in her orange hoodie stands on a step, rising, with her right hand on the rail. Exactly four passengers stand on the steps above h... Panel 04 (6s): Top of the escalator. Alya, shoulders squared, is one step from the landing, with her right hand on the rail. Exactly two passengers stand on the landing, not moving. Panel 05 (9s): Street outside the metro on a sunny summer morning: wet asphalt glinting, dust in the sunbeams. Alya in her orange hoodie is on the top step of the stone stairs, mid-stride. A c... Panel 06 (9s): Same traffic light. Alya holds the phone to her ear with her right hand, looking ahead. The three passersby stand nearby, not moving. Panel 07 (6s): Same traffic light. Alya, mid-lean forward, holds the phone to her ear with her right hand. Panel 08 (5s): Sunlit sidewalk beside a large shop window full of reflections. The sidewalk is empty; Alya enters from the left, running, with the phone in her right hand. Panel 09 (7s): Sunlit sidewalk heading toward a business district. Alya in her orange hoodie strides toward the camera at a slight diagonal, arms swinging. Panel 10 (8s): Flashback, a morning bathroom by the mirror, window light. Alya in a white blouse with a dark-red spreading stain, her hair messy. Valka stands beside her holding the orange hoo... Panel 11 (7s): Glass doors of the business center, closed, with a sunny street behind them. Alya stands at the door, raising both hands to her hair. Panel 12 (5s): Lobby with cool light from the windows. Alya stands at the desk with her back half-turned to us and her passport in her right hand. The guard sits behind the desk holding papers... Panel 13 (5s): Close-up on Alya at the desk, her face in profile, in the cool lobby light. The edge of Kristina's charcoal suit is visible at frame right. RIGHT SIDEBAR (about 22% of page width): character model sheets. For each character below, render 3-4 polished turnaround sketches — front view, three-quarter view, profile, and a dynamic action pose — each in the visual treatment described below. Character name set in crisp modern typography above each set: АЛЯ — Young woman, late teens, round face, fair skin with acne, blue eyes. Long wavy auburn hair. Average build. Wearing bright orange hoodie, ... БЛОНДИН — Pale, slender man in his late 30s with angular features and slicked-back silver hair. He has weary light eyes, dark circles, and a somber... КРИСТИНА — Late-20s woman, slim and tall, with fair skin and long, sleek blonde hair. Oval face, sharp jaw, light green eyes, and bold red lips. Wea... ВАЛЬКА — Slender young man, early 20s, fair skin, oval face, light green eyes, thin mustache. Long wavy brown hair in low ponytail with wispy curl... ОХРАННИК — Adult man, stocky and broad-shouldered, with a shaved head and a thick dark moustache. Wears a black security uniform shirt with a badge ... BOTTOM STRIP: a horizontal timeline ruler with seconds markings (0, 5, 10, 15… up to total duration), tick marks aligned to the panel durations above — clean vector look, not hand-drawn. Below the ruler, a tidy notes row: STORY / FLOW • ANIMATION • TIMING & RHYTHM • CAMERA — each with 2-3 short polished bullet points in crisp typography (you can invent plausible production notes from the story). VISUAL TREATMENT FOR PANELS AND CHARACTER LINEUP (THIS IS THE CRITICAL PART): polished pre-production concept render in the "photorealistic cinematic live-action, warm daytime color grade against cool grey-blue city, teal-and-orange with orange as hero accent, soft natural light, shallow depth of field, fine film grain, no glossy sheen, wet asphalt reflections, dust motes in sunbeams, shop-window reflections" visual treatment — apply that style as the dominant aesthetic across every panel and character thumbnail consistently. Keep the studio mood-board feel: crisp typography, soft card shadows, no aged-paper or pencil-sketch look, no mixed styles. OVERALL STYLE: high-end studio mood-board page with the visual treatment above carried through every panel and every character render consistently. Clean modern typography, soft drop shadows on cards, occasional smooth-gradient accents in the margins (sparkles, stars, arrows). NO aged-paper look, NO hand-pencil sketches, NO mixed styles — every miniature on this page is rendered in the same single visual treatment described above. This is a polished pre-production concept page, finished enough to pitch in a studio review meeting.