Image - 2026-10-09 13:15

A traditional hand-drawn FILM STORYBOARD SHEET for scene 6: one page divided into a clean 3x3 grid of NINE separate rectangular panels, three rows of three, each panel a 9:16 rectangle with a thin ruled black border and a small hand-written panel number in its top-left corner from 1 to 9. Thin white gutters between panels. Off-white paper background with faint tooth. MEDIUM, STRICT: rough graphite pencil drawing only. Loose confident director's sketch, visible pencil strokes, hatching and smudged shading for shadow, some construction lines left in. Monochrome grey graphite, NO colour anywhere, NO paint, NO digital rendering, NO photorealism. It must look drawn by hand on paper in a few minutes per panel. No named characters — stage the action with anonymous figures. Divide the following 6-second scene into NINE consecutive story beats yourself, in strict chronological order, and draw one panel per beat. Vary the shot size between panels — do not draw nine versions of the same framing. THE SCENE: LANGUAGE: All dialogue is spoken aloud in Russian, word for word as written, natural for a native Russian speaker; every spoken word is Russian. ⭐ BINDING INSTRUCTIONS — read these first and obey them in every shot SPEECH (strict): the ONLY spoken lines, aloud in Russian, word for word, in this order, each in its speaker's own voice; heard, never shown as text. 1. АЛИНА (in frame, lip-sync): "...и вдруг встречаешь его взгляд." END BINDING INSTRUCTIONS NON-NEGOTIABLE SCENE CONTRACT: - The setting and rendering register stay exactly as established: Cinematic Realistic: photorealistic live-action, shallow depth of field, dramatic lighting, film grain. - Acting in this shot: АЛИНА. - Not present in this shot, do not depict them: МАКСИМ, АЛИНА — СТУДЕНТКА. LINES: @АЛИНА at 0:02, eyes raised to the dark hall, says in a soft, low, breathy mezzo voice, clearly audible: "...и вдруг встречаешь его взгляд." No other speech in the clip. CAST: @АЛИНА: slender young woman, oval face, fair freckled skin with visible texture. Messy damp brown hair tied back, loose strands at her temples. Hazel eyes, small silver earring, simple plain black floor-length dress. She is the only person in frame. OPENING (0:00, matches the location plate): close-up of @АЛИНА standing at the footlights of a restrained old theatre. The worn wooden stage edge has plain matte black footlight housings. One warm spotlight lights her from the left; the right side of her face falls into soft shadow. Behind her the hall is dark: plain, unlit rows fade into black. Her eyes are raised to the dark hall, lips parted, both hands at her sides. SHOT 1 (0-6s, one shot, close-up, steady camera with a gentle push-in toward her face): @АЛИНА recognises him in the dark hall. Her gaze stays on the hall the whole shot. 0-1s: the hall ambience drops away to her breathing; one soft heartbeat. 1-2s: her breath catches and her lips tremble. 2-4s: she speaks the line, eyes on the dark hall, while her right hand rises to her chest. 4-5s: her right hand presses flat against her chest, over the black dress. 5-6s: a second soft heartbeat. She draws a deeper breath and her shoulders lift; the clip ends on this movement. LIGHT: one warm tungsten spotlight from the left, plus a low warm glow from the footlights below her face. The dark hall behind her has no other source. The frame is bright enough on her face for the gesture to read clearly. SOUND: diegetic only. The hall ambience fades out, then her breathing, two soft heartbeats, and her spoken line. STYLE: grounded film look, real skin and fabric texture, plain worn wood. Everyone on screen is an adult. Normal real-time speed. CONTRACT: present: @АЛИНА only. Not present: МАКСИМ, @АЛИНА — СТУДЕНТКА. CHECKSUM: 1 shot / 1 line at 0:02 / 1 person / right hand to chest / 2 heartbeats. Draw camera arrows and simple motion lines in pencil where movement matters, and keep every panel's staging consistent with the one before it — this sheet is a shooting plan, so a person standing screen-left in one panel stays screen-left in the next unless the action moves them. NO text or captions anywhere except the small panel numbers 1 to 9. No title block, no handwriting in the margins, no speech bubbles, no subtitles, no watermark, no logo.