Image - 2026-10-11 16:36

A polished studio concept art board — a single composite page that reads as a high-end pre-production pitch deck for an animated short. NOT a vintage pencil sketch, NOT a finished movie frame, but a polished concept page in the visual treatment described below. Layout: TOP HEADER (left): bold modern display typography for the title "Создай мне 10 минутный фильм про Нагу что бы получился полноценный фильм Формат: Короткая история.", with a small stylised glyph next to it (sparkle, comet, or motif matching the visual treatment). Below in smaller crisp print: "OPENING SEQUENCE • DRAFT • CINEMATIC REALISTIC: PHOTOREALISTIC LIVE-ACTION, SHALLOW DEPTH OF FIELD, DRAMATIC LIGHTING, FILM GRAIN". TOP HEADER (right): a tidy "CHARACTER LINEUP" sub-heading set in the same typography. CENTER GRID: 68 numbered storyboard panels in a 4-column grid. Each panel is a softly rounded card with a thin warm-grey border and a delicate drop shadow (studio pre-prod board look). Inside every panel: a finished miniature of the action — rendered in the visual treatment described below. Top-left of each panel a small bold numbered tab (01, 02, 03…) and bottom-right an "X.Xs" timing tab — both set in clean modern typography (NOT hand-lettering). Panels: Panel 01 (10s): Black river depths at night. The faint green-scaled coils of the Naga are entering from the left, with a dim reflection of orange city lights on the gold crown. Panel 02 (10s): Underwater night. The Naga is mid-glide on the right side, heads level and crown glinting with orange reflections from above. Panel 03 (10s): Bright day, a dusty village. A thin man in a brown wrap stands at a stone well holding a rope bucket. Exactly two cattle lie motionless nearby. Exactly three weathered adults si... Panel 04 (8s): Day. A narrow black ribbon of river between cracked banks with silver dead fish floating. A woman in an ochre wrap stands on the bank, empty clay jug in her left hand. Panel 05 (10s): Day. Ayashi in her white robe walks on the left of the dusty street, an unlit candle in her right hand and the bronze snake bracelet on her left wrist. Exactly two villagers wal... Panel 06 (7s): Medium shot of the temple entrance. Ayashi stands at the wooden door, her left hand on the door, candle in her right hand. The interior is dim, lit by a narrow window. Panel 07 (9s): Dim temple lit by one narrow window. Ayashi stands at a stone altar, holding the candle in her right hand and a lit taper in her left. The bracelet is visible. Panel 08 (10s): Medium close-up. Ayashi kneels before the altar, the single candle burning and her left hand with the bronze bracelet resting on her knee. Panel 09 (9s): Medium close-up. Ayashi kneels with her left hand raised and eyes on the candle, its flame burning straight. Panel 10 (10s): Spacious palace hall lit by tall windows and oil lamps. Varman sits at the head of a long table. Exactly four seated councillors are standing still, not moving. The advisor ente... Panel 11 (10s): Medium shot. The advisor stands bowed beside the seated Varman, holding the scroll in his right hand. The councillors are seated, not moving. Panel 12 (10s): Medium close-up. Varman is seated with the unrolled scroll before him. The advisor stands bowed at his left. Panel 13 (10s): Medium shot. Varman sits with his palm on the scroll. The advisor is bowed beside him. The councillors are seated, not moving. Panel 14 (10s): Evening, warm low side light. Ayashi in white walks onto the upper riverbank from the left, the bracelet on her left wrist. The black river and dead fish are below. Panel 15 (9s): Medium shot, evening. Ayashi stands at the black water's edge, hands at her sides. Panel 16 (6s): Evening. Ayashi kneels at the water with wet black hands, under a clear sky. Panel 17 (6s): Evening. Ayashi kneels braced on the bank, her right palm on the ground. Panel 18 (8s): Medium close-up, evening. Ayashi stands on the bank, foam at her feet, her left wrist with the bracelet raised before her eyes. Panel 19 (9s): ELLIPSIS: night, full moon, cool moonlight on the black river. Ayashi walks onto the bank from the left in white with sandals on, the bracelet on her left wrist. Panel 20 (8s): Night, moonlight. Ayashi stands barefoot at the edge, her sandals behind her. Panel 21 (10s): Medium shot, moonlight. Ayashi stands knee-deep, arms down, bracelet on her left wrist. Panel 22 (6s): Night. Ayashi is knee-deep with her left arm raised, the bracelet up. Panel 23 (6s): Overhead view of blue-lit water. Ayashi stands knee-deep with her arm raised. Panel 24 (6s): Side view, night, blue glow. Ayashi stands knee-deep with her arm raised. Panel 25 (8s): Underwater, blue-lit dark. Ayashi is just below the surface with her left arm still raised, robe billowing. Panel 26 (12s): Underwater realm lit by teal glow. Ruined stone temples are covered in swaying algae. Ayashi is descending above the path, her bracelet glowing. Panel 27 (12s): Teal-lit path. Exactly four stone serpent statues line both sides. Ayashi enters the path at the left, her bracelet glowing. Panel 28 (9s): Ayashi walks the path past the statues, her bracelet glowing, with black darkness ahead. Panel 29 (10s): Vast underwater throne hall, teal light. Ayashi stands small at the center, her bracelet glowing. Panel 30 (8s): Medium shot of the crowned central head of the Naga above Ayashi, its amber eyes on her. The other heads are standing still. Panel 31 (8s): Medium close-up. Ayashi faces the lowered central head, her bracelet glowing. Panel 32 (10s): Ayashi stands before the Naga, and one side head hovers above her. Panel 33 (6s): Close-up. The Naga's head is face to face with Ayashi. Panel 34 (12s): Throne hall. The Naga's tail is coiled at the right, and Ayashi stands at the left watching. Panel 35 (12s): Vision, golden torchlight. A priestess in a white robe and silver headdress stands on the bank before the lowered crowned head of the Naga. Panel 36 (9s): Vision, grey daylight. The full river runs between banks. Panel 37 (10s): Vision. A shallow riverbed holds a little water, and the bright Naga is coiled in it. Panel 38 (8s): Throne hall with the vision fading. The crowned central head is lowered above Ayashi. Panel 39 (8s): Close-up. Ayashi looks up at the Naga, the bracelet glowing at her side. Panel 40 (8s): Medium shot. Ayashi stands before the nearest head of the Naga. Panel 41 (10s): The throne hall. The Naga's heads hover around Ayashi. Panel 42 (6s): Medium shot, hands visible. Ayashi wears the glowing bronze bracelet on her left wrist. Panel 43 (8s): Medium shot. Ayashi holds the bracelet in her right hand at her chest. The nearest head of the Naga is above her. Panel 44 (8s): Ayashi stands with her right arm extended holding the bracelet, the seven heads around her. Panel 45 (8s): Medium close-up. Ayashi holds the bracelet out in her right hand, facing the near head. Panel 46 (10s): Medium shot, hands visible. Ayashi holds the bracelet out in her right hand under the near head. Panel 47 (10s): Close-up. Ayashi holds the blazing gold bracelet, the head close above her. Panel 48 (10s): Medium shot. Ayashi holds the gold bracelet in her right hand, with light at her fingers. Panel 49 (8s): Night, moonlight. Still black water is held behind a tall stone dam. Panel 50 (5s): Night. Riverbank trees are dark against the moon, with birds perched. Panel 51 (10s): Night river near the dam with a dark surface. Blue glow is building under the water at center. Panel 52 (10s): Night, blue light from the river. Exactly eight adult townsfolk stand on the bank facing the water. Panel 53 (10s): Night river, blue light. The Naga's heads tower at the right, and the water at the left glows gold. Panel 54 (10s): Night. The Naga is above the water with Ayashi standing on the surface beside it, and the dam is at the far left. Panel 55 (6s): Side view of the stone dam face at night, with a wave rolling in from the right. Panel 56 (6s): Dam face at night with one crack spraying water. Panel 57 (6s): Overhead view of the cracked dam with water jets bursting through. Panel 58 (8s): Night. The palace gate is lit by torches and blue river light. Varman stands in the open gateway, the advisor behind him with a scroll, and exactly three councillors behind them. Panel 59 (9s): Medium shot, night, blue light. Varman is walking to the water's edge, the advisor and three councillors behind him. Panel 60 (7s): Medium shot. Varman stands at the water's edge staring forward, the advisor behind him. Panel 61 (5s): Varman kneels at the edge. The advisor and exactly three councillors stand behind him. Panel 62 (9s): Dawn, soft golden light. A dry cracked channel runs through the village. Panel 63 (10s): Dawn. Water flows in the channel past closed house doors. Exactly two villagers stand in a doorway. Panel 64 (9s): Dawn. The thin man in a brown wrap stands at the stone well holding the rope. Panel 65 (6s): Close-up of cracked dry earth in dawn light with damp edges. Panel 66 (10s): Underwater, dawn light. A clean riverbed holds green algae. Panel 67 (12s): Underwater, dawn light from above. On the riverbed stand the huge coiled Naga and Ayashi in a glowing white robe, the gold bracelet in her right hand. Panel 68 (10s): Underwater, dawn. The Naga and Ayashi stand together looking up, her right hand raised. RIGHT SIDEBAR (about 22% of page width): character model sheets. For each character below, render 3-4 polished turnaround sketches — front view, three-quarter view, profile, and a dynamic action pose — each in the visual treatment described below. Character name set in crisp modern typography above each set: Аяши — Adult South Asian woman, lean, upright build. Weathered warm-brown skin with visible pores. Long dark braid over her left shoulder. Plain... Нага — Colossal seven-headed cobra spirit with original mythic design. Dark malachite-green scales with rough, wet texture and spread hoods. Eac... Варман — Tall, broad-shouldered adult man with a short black beard streaked with grey and a lined, sun-darkened face. Deep crimson robe with gold ... Советник — Slim adult man with a shaved head and a thin face with creased skin. Ash-grey linen robe. Carries a rolled scroll in his right hand. Slig... BOTTOM STRIP: a horizontal timeline ruler with seconds markings (0, 5, 10, 15… up to total duration), tick marks aligned to the panel durations above — clean vector look, not hand-drawn. Below the ruler, a tidy notes row: STORY / FLOW • ANIMATION • TIMING & RHYTHM • CAMERA — each with 2-3 short polished bullet points in crisp typography (you can invent plausible production notes from the story). VISUAL TREATMENT FOR PANELS AND CHARACTER LINEUP (THIS IS THE CRITICAL PART): polished pre-production concept render in the "Cinematic Realistic: photorealistic live-action, shallow depth of field, dramatic lighting, film grain" visual treatment — apply that style as the dominant aesthetic across every panel and character thumbnail consistently. Keep the studio mood-board feel: crisp typography, soft card shadows, no aged-paper or pencil-sketch look, no mixed styles. OVERALL STYLE: high-end studio mood-board page with the visual treatment above carried through every panel and every character render consistently. Clean modern typography, soft drop shadows on cards, occasional smooth-gradient accents in the margins (sparkles, stars, arrows). NO aged-paper look, NO hand-pencil sketches, NO mixed styles — every miniature on this page is rendered in the same single visual treatment described above. This is a polished pre-production concept page, finished enough to pitch in a studio review meeting.