Use case: historical-scene. First frame for Mother's Hands. Reference 1 is the mother's face, reference 2 is her son's face and reference 3 is their younger appearance. Keep the same mother's facial structure: grey-green eyes, broad cheekbones, slightly long straight nose, small facial moles near the mouth, chestnut side-parted low bun. Change only her age as specified, never cast a new actress. Small Soviet primary-school concert in 1955. The mother is now age 31, same recognizable features and low bun, modest teal dress. Her son is age 7, the same light-brown-haired boy as reference 2, with matching eyes, nose and face shape, wearing a plain white shirt and dark school trousers. Camera is just to the side of a low classroom stage: the boy stands on the RIGHT in the near foreground, visible in three-quarter profile reciting a poem toward the audience. The mother sits LEFT, clearly visible in the very first audience row only a short distance away, looking at him with proud encouragement. A burgundy curtain edge and low wooden stage establish the school performance. Her face must remain large enough to recognize. Two other softly focused parents behind her have distinct faces; nobody blocks her. One coherent perspective, keep both main faces readable. Her hands rest in her lap; one small encouraging nod is about to happen. No banners or writing. Photorealistic Soviet colour feature film, natural soft daylight, restrained teal and amber, warm skin, fine subtle film grain, unglamorous naturalism and believable anatomy. Vertical 9:16 single full-bleed image. No titles, captions, readable letters, signage, logos, watermark, collage or modern objects.
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