Art style: Pixar-like 3D. Edmund crouching in the near foreground. A few metres of rug between him and the desk. Edmund is crouching on hearth rug in the near foreground in the midground. Torso in three-quarter turn to screen-right. Head in three-quarter turn to screen-right. Eyes on the charred scrap of paper. Holding a scorched scrap and iron tongs. Confused, then dawning shock. Tin coin box sits further back in the frame in the background. Medium-wide shot from a high angle, 9:16. Horizon not visible. Locked-off, upright. Foreground: hearth edge and ash. Midground: Edmund. Background: desk and bookshelves. Key light from the fireplace, left, warm flickering firelight. Dancing shadows on the books and floor. Focus: the charred scrap in Edmund's fingers. Dominant palette: amber, mahogany, charcoal. SPATIAL LOCK: a few metres of rug between him and the desk. GAZE LOCK: Edmund head in three-quarter turn to screen-right eyes on the charred scrap of paper. This is a single frozen instant (mid action) — no motion blur, no action chained. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image in the following art style: Stylized cinematic 3D, expressive animated characters, soft rounded forms, polished materials, warm cinematic lighting, charming facial expressions, high-end animated film look. Every surface, skin, fabric, material, and environmental element must be rendered in this idiom. Character appearance reference (MUST match exactly): - Edmund: Edmund, an adult wealthy shipping magnate in his early forties. Tall and well-built with confident posture and slightly broad shoulders. Warm fair skin, a square jaw with neat short dark-brown beard streaked faintly with grey, combed-back dark hair, and intelligent hazel eyes carrying a tired, distracted warmth. He wears an immaculate charcoal three-piece suit with a crisp white shirt, a deep navy silk tie, a gold pocket-watch chain across the waistcoat, and a signet ring. Polished oxblood leather dress shoes. He stands with one hand holding a leather folio of shipping manifests, the other half-raised as if mid-thought, a loyal but preoccupied half-smile on his face, inside a lavish wood-paneled harbor office with tall windows showing moored cargo ships at dusk.
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