Image - 2026-10-27 09:39

A polished studio concept art board — a single composite page that reads as a high-end pre-production pitch deck for an animated short. NOT a vintage pencil sketch, NOT a finished movie frame, but a polished concept page in the visual treatment described below. Layout: TOP HEADER (left): bold modern display typography for the title "Барни на колёсах", with a small stylised glyph next to it (sparkle, comet, or motif matching the visual treatment). Below in smaller crisp print: "OPENING SEQUENCE • DRAFT • 3D PIXAR". TOP HEADER (right): a tidy "CHARACTER LINEUP" sub-heading set in the same typography. CENTER GRID: 4 numbered storyboard panels in a 3-column grid. Each panel is a softly rounded card with a thin warm-grey border and a delicate drop shadow (studio pre-prod board look). Inside every panel: a finished miniature of the action — rendered in the visual treatment described below. Top-left of each panel a small bold numbered tab (01, 02, 03…) and bottom-right an "X.Xs" timing tab — both set in clean modern typography (NOT hand-lettering). Panels: Panel 01 (4s): Крупный план с низкой точки, смотрящей вверх на джек-рассел-терьера, стоящего на краю асфальтированной дорожки. Рядом с ним лежит потертый деревянный скейтборд с яркими бирюзовы... Panel 02 (4s): Средний план сбоку, показывающий джек-рассел-терьера в динамичном движении на скейтборде. Собака стоит всеми четырьмя лапами на доске, идеально балансируя. Ветер развевает его у... Panel 03 (4s): Широкий план парковой аллеи, залитой солнечными пятнами, пробивающимися сквозь густую листву. В центре кадра джек-рассел-терьер на скейтборде совершает плавный маневр, объезжая ... Panel 04 (4s): Крупный план спереди, камера находится на уровне доски. Скейтборд катится прямо на зрителя и останавливается в нескольких сантиметрах от объектива. Джек-рассел-терьер уверенно с... RIGHT SIDEBAR (about 22% of page width): character model sheets. For each character below, render 3-4 polished turnaround sketches — front view, three-quarter view, profile, and a dynamic action pose — each in the visual treatment described below. Character name set in crisp modern typography above each set: Барни — Джек-рассел-терьер с атлетичным телосложением, короткой белой шерстью и характерными рыжими пятнами вокруг глаз и на ушах. У него умные к... BOTTOM STRIP: a horizontal timeline ruler with seconds markings (0, 5, 10, 15… up to total duration), tick marks aligned to the panel durations above — clean vector look, not hand-drawn. Below the ruler, a tidy notes row: STORY / FLOW • ANIMATION • TIMING & RHYTHM • CAMERA — each with 2-3 short polished bullet points in crisp typography (you can invent plausible production notes from the story). VISUAL TREATMENT FOR PANELS AND CHARACTER LINEUP (THIS IS THE CRITICAL PART): hyper-stylized cartoon 3D feature animation in the manner of Pixar — huge expressive eyes, soft sub-surface scattering on skin/fur, warm golden-hour key light, painterly bokeh backgrounds, smooth volumetric forms, glossy material highlights, warm coral and golden accents. OVERALL STYLE: high-end studio mood-board page with the visual treatment above carried through every panel and every character render consistently. Clean modern typography, soft drop shadows on cards, occasional smooth-gradient accents in the margins (sparkles, stars, arrows). NO aged-paper look, NO hand-pencil sketches, NO mixed styles — every miniature on this page is rendered in the same single visual treatment described above. This is a polished pre-production concept page, finished enough to pitch in a studio review meeting.