Strict photorealism, 35mm film stock (Kodak Vision3 500T emulation): real grain, micro-texture, authentic depth. Prime lenses — 35mm wide for environment, 50mm for intimate close-ups of hands and silhouette; occasional long 85mm isolating the figure from the world. Natural and available light only — coastal haze, wet reflections, golden hour at the finale. Palette breathes: cold blue-grey fog → muted olive-grey → warm amber at dusk. The character's face is NEVER shown — always silhouette, back of head, hands, or figure seen from behind. Negative space and frames-within-frames à la Tarkovsky. No artificial lighting rigs, no studio setups. Deep shadow in early frames, slow light accumulation toward the end. Texture of worn concrete, sea foam, condensation on glass.
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