Image - 2026-11-02 21:56

A traditional hand-drawn FILM STORYBOARD SHEET for scene 8: one page divided into a clean 3x3 grid of NINE separate rectangular panels, three rows of three, each panel a 9:16 rectangle with a thin ruled black border and a small hand-written panel number in its top-left corner from 1 to 9. Thin white gutters between panels. Off-white paper background with faint tooth. MEDIUM, STRICT: rough graphite pencil drawing only. Loose confident director's sketch, visible pencil strokes, hatching and smudged shading for shadow, some construction lines left in. Monochrome grey graphite, NO colour anywhere, NO paint, NO digital rendering, NO photorealism. It must look drawn by hand on paper in a few minutes per panel. No named characters — stage the action with anonymous figures. Divide the following 4-second scene into NINE consecutive story beats yourself, in strict chronological order, and draw one panel per beat. Vary the shot size between panels — do not draw nine versions of the same framing. THE SCENE: LANGUAGE: All dialogue is spoken aloud in Russian, word for word as written, natural for a native Russian speaker; every spoken word is Russian. ⭐ BINDING INSTRUCTIONS — read these first and obey them in every shot SPEECH (strict): the ONLY spoken lines, aloud in Russian, word for word, in this order, each in its speaker's own voice; heard, never shown as text. 1. ЮМИ (in frame, lip-sync): "Не пили!" 2. ЮМИ (in frame, lip-sync): "Затупишь лезвие и сомнёшь рыбу." END BINDING INSTRUCTIONS NON-NEGOTIABLE SCENE CONTRACT: - The setting and rendering register stay exactly as established: Pixar-like 3D. - Acting in this shot: ЮМИ, КЕНДЖИ. LINES (only speech, in this order): 0:00-0:01 @ЮМИ, looking at @КЕНДЖИ, firm clear alto voice, clearly audible: "Не пили!" 0:01-0:03 @ЮМИ, still looking at @КЕНДЖИ, same firm clear alto voice, clearly audible: "Затупишь лезвие и сомнёшь рыбу." @КЕНДЖИ does not speak; his mouth stays closed. STYLE: Pixar-like 3D animation. Textured skin and fabric, warm key light from one side. Everyone on screen is an adult. CAST: @ЮМИ: slim adult woman in a crisp fitted deep-indigo chef jacket, tight black bandana over straight black hair. She stands at the left of the frame, her left hand resting over Kenji's right hand. @КЕНДЖИ: lanky adult man in a loose plain white cook jacket, tall white toque slipping sideways, huge round brown eyes. He stands at the right of the frame. His right hand grips the yanagiba handle. PROPS: exactly one yanagiba (long single-edged sushi knife), held in Kenji's right hand, Yumi's left hand over his. Exactly one sushi roll on a pale wooden cutting board. The blade rests on top of the roll. LOCATION AND LIGHT: interior sushi kitchen counter, lit by warm overhead pendant lamps and a bright side lamp. The frame is bright and evenly readable. The back wall shows closed wooden cabinets and stacked bowls. OPENING (frame 0): medium close two-shot at counter height, camera level and steady. The yanagiba sits above the roll in Kenji's right hand, with Yumi's left hand over his. Yumi looks at Kenji; Kenji looks down at the blade, eyes wide. SHOT 1 (0-4s, one shot, no cut): medium close two-shot. One gentle push-in toward the hands. 0-1s: Yumi presses Kenji's hand down, stopping the sawing motion, and says the first line, looking at him. 1-3s: Yumi says the second line, still looking at Kenji. Kenji nods nervously twice, and his toque tips further sideways. 3-4s: Yumi guides his hand into one long smooth pull stroke. The blade glides through the roll, and the cut is still moving as the clip ends. AUDIO: Yumi's voice, the knife sliding on rice and nori, a soft kitchen hum, the faint clink of bowls. CONTRACT: same two people in the same places throughout. The yanagiba stays in Kenji's right hand under Yumi's left hand. Real-time speed. The clip ends in motion. CHECKSUM: 1 shot · 2 people · 1 yanagiba · 1 roll · 2 lines by @Юми, none after 0:03. Draw camera arrows and simple motion lines in pencil where movement matters, and keep every panel's staging consistent with the one before it — this sheet is a shooting plan, so a person standing screen-left in one panel stays screen-left in the next unless the action moves them. NO text or captions anywhere except the small panel numbers 1 to 9. No title block, no handwriting in the margins, no speech bubbles, no subtitles, no watermark, no logo.