Photorealistic cinematic film still from a feature film, a single vertical 9:16 frame, shot on ARRI Alexa 35. Use the FIRST reference image for the robot's exact face and construction (olive-skinned female silicone face, straight dark brows, hazel-brown eyes, beauty mark on the left cheekbone, transparent acrylic dome skull full of circuit boards, copper wires and amber LEDs, chrome piston neck with braided cables, black base with gauge). Use the SECOND reference image for the man's exact identity and wardrobe (heavyset, dark-brown beard with grey streaks, charcoal knit beanie, olive waxed-canvas chore jacket over a cream henley). Use the THIRD reference image for the set: night electronics-repair garage workshop, pegboard walls, butcher-block workbench, oscilloscope, brass task lamps, hanging Edison bulb, half-open roll-up door to a rainy cyan-lit alley. Warm 2700K tungsten interior vs cold cyan exterior spill, light haze, natural skin texture, subtle 35mm film grain. Strictly off-center composition, no symmetry, not a character sheet. No text, no subtitles, no watermark. SHOT: Medium shot of the man only — the robot is NOT in this frame. 40mm lens at f/2, low angle. He is SEATED on his low steel shop stool, knees bent, leaning back, placed in the right third of the frame, facing screen-left toward the robot who is out of frame on the left. He laughs incredulously with mock offense, one hand pressed to his chest, head pulled back, eyes squinting with laughter. The hanging Edison bulb makes a warm flare in the top-left corner; soft cyan rain bokeh from the half-open door behind him.
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