Photorealistic cinematic film still from a feature film, a single vertical 9:16 frame, shot on ARRI Alexa 35. Use the FIRST reference image for the robot's exact face and construction (olive-skinned female silicone face, straight dark brows, hazel-brown eyes, beauty mark on the left cheekbone, transparent acrylic dome skull full of circuit boards, copper wires and amber LEDs, chrome piston neck with braided cables, black base with gauge). Use the SECOND reference image for the man's exact identity and wardrobe (heavyset, dark-brown beard with grey streaks, charcoal knit beanie, olive waxed-canvas chore jacket over a cream henley). Use the THIRD reference image for the set: night electronics-repair garage workshop, pegboard walls, butcher-block workbench, oscilloscope, brass task lamps, hanging Edison bulb, half-open roll-up door to a rainy cyan-lit alley. Warm 2700K tungsten interior vs cold cyan exterior spill, light haze, natural skin texture, subtle 35mm film grain. Strictly off-center composition, no symmetry, not a character sheet. No text, no subtitles, no watermark. SHOT: Medium shot of the man only — the robot is NOT in this frame. 35mm lens at f/2.4, handheld feel, eye level. He is SEATED on his low steel stool, elbows on his knees, placed in the LEFT third of the frame and facing screen-left toward the robot out of frame. His head is tilted back in a big warm belly laugh, eyes shut, beard parted by a wide grin. Behind him on the right: the half-open roll-up door with rain and cyan streetlight, plus a warm brass task lamp; a cool cyan rim light on his shoulder.
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