DRAFT composition study, cinematic film still 16:9, photoreal. Very low camera on the kerb ahead, 24mm: a red Ferrari F8 Tributo exactly as in reference pulls away from a lay-by and passes extremely close to the lens from screen-left to screen-right, the red bodywork and front wheel filling most of the frame with motion blur, about to wipe the frame; behind, blurred, the policeman standing on the road and the patrol car with lights. Seaside avenue, golden-hour light.
