Camera begins low and wide, framing the bear's full reclined body on the couch — feet, legs, torso in view. Slow, continuous zoom-in along the length of the body, as if the eye is tracing the pose before settling on the face — not a jump cut, one unbroken movement. The push moves gradually toward the head, ending in a close-up on the eyes as the line lands. Speed increases almost imperce...
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