Art style: claymation stop-motion, handmade plasticine models with visible thumbprints and seams, miniature practical film-studio set, warm amber and teal lighting, shallow macro depth of field. Full-length view, the entire figure visible from head to feet, standing upright, centered on a miniature film-studio set. Vex is a lanky humanoid whose head is a boxy vintage television — rounded rectangular casing with a slightly convex glass screen displaying two half-lidded deadpan eyes and a flat, unimpressed mouth, a stubby antenna and a chunky dial on the side. His body is a slouched, weary frame in a rumpled mustard-amber cardigan over a teal collared shirt, sleeves shoved up, baggy grey trousers slightly creased at the knees. He wears scuffed brown loafers planted flat on the studio floor. One hand rests on his hip, the other holds a tiny clapperboard. Behind him: miniature tripod lights, coiled cables, a small film-set backdrop. Warm amber key light, cool teal rim light. Arms crossed vibe, sarcastic tilt. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image entirely in "claymation stop-motion, handmade plasticine models with visible thumbprints and seams, miniature practical film-studio set, warm amber and teal lighting, shallow macro depth of field" style. Match the lighting grammar, material response, colour science, level of realism / stylisation, line weight, and shading model typical of "claymation stop-motion, handmade plasticine models with visible thumbprints and seams, miniature practical film-studio set, warm amber and teal lighting, shallow macro depth of field". Keep the subject, composition, camera angle, lighting direction, and colour palette from the description above — but EVERY surface, skin, fabric, material, and environmental element must be rendered in the "claymation stop-motion, handmade plasticine models with visible thumbprints and seams, miniature practical film-studio set, warm amber and teal lighting, shallow macro depth of field" idiom, not in any other medium.
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