Art style: claymation stop-motion, handmade plasticine models with visible thumbprints and seams, miniature practical film-studio set, warm amber and teal lighting, shallow macro depth of field. Full-length view, the entire figure visible from head to feet, standing upright, figure centered on a miniature film-studio set. Vex is a lanky humanoid whose head is a boxy vintage television — rounded glass screen displaying two deadpan half-lidded eyes and a flat unimpressed mouth, dented antenna, cracked plastic casing, a glowing dial and worn knobs on the side. Slim shoulders, a rumpled charcoal-grey turtleneck, sleeves pushed to the elbows, brown corduroy trousers, and scuffed olive canvas sneakers. Body has visible thumbprints and seams, subtle fingerprint dents, tiny sculpting tool marks. Weary, sarcastic posture — one hand on hip, the other gesturing lazily toward the camera, head slightly tilted. Behind him: tiny cardboard flats, a miniature clapperboard, and a clip-lamp casting warm amber and teal light. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image entirely in "claymation stop-motion, handmade plasticine models with visible thumbprints and seams, miniature practical film-studio set, warm amber and teal lighting, shallow macro depth of field" style. Match the lighting grammar, material response, colour science, level of realism / stylisation, line weight, and shading model typical of "claymation stop-motion, handmade plasticine models with visible thumbprints and seams, miniature practical film-studio set, warm amber and teal lighting, shallow macro depth of field". Keep the subject, composition, camera angle, lighting direction, and colour palette from the description above — but EVERY surface, skin, fabric, material, and environmental element must be rendered in the "claymation stop-motion, handmade plasticine models with visible thumbprints and seams, miniature practical film-studio set, warm amber and teal lighting, shallow macro depth of field" idiom, not in any other medium.
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